S. LEE MANNING
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To Covid or not To Covid?

8/25/2020

3 Comments

 
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I've been working on the next book in the Kolya Petrov series, which is due at my publisher's by the end of November. I probably should be writing the next chapter. Instead, I'm writing this blog.  (ADHD. Whaddaya want?) But while I am working on the new novel, I've had to make a decision. Nerve Attack (working title)  takes place in the year 2021, but the Kolya series is generally an alternative universe with different political figures and, while some events  in our past also occurred in Kolya's past (9-11 and the invasion of Afghanistan) - not everything is the same. Since Trump was never president, nothing that happened over the past three and a half years because of the Trump administration occurred in my novels. So I started to think - what about Covid? Did it happen? It's hard to ignore the effects of Covid on our lives, on the economy, on the world. But do I want to write anything about Covid into my novel?

So the case for writing about Covid: is a book realistic that's set in the contemporary world but that ignores the existence of the virus? After all, it's here, it's overwhelming all of us. I haven't been in a grocery store since March 11 - and while I know that I am a little more extreme than most, almost everyone has had their lives changed because of the pandemic. And in a lot of ways, I feel we're being tested by this virus- our fortitude, our endurance, our love for each other, our senses of self - and humor.  A thriller by definition challenges the characters to react to extreme situations. Wouldn't readers want to see how these characters react to the same challenge that all of us are enduring? Would readers have a problem relating to characters who don't have to social distance or wear masks?

The case against writing about Covid: my books are international thrillers. If my characters have to restrict travel, social distance etc - would the situations I've created even work? How do you write an international thriller when no one is traveling? Also, are readers possibly tired of Covid? By next summer, will they want to read an international thriller where the characters are forced to do all the stuff we're presently doing to keep safe? Would readers prefer to escape from the presence of Covid into a world where there are threats that have nothing to do with risking  your life from a microscopic virus every time you go to the doctor or the grocery store? I know some people are reading Camus, The Plague, or Stephen King, The Stand, or watching pandemic movies on Netflix or Prime. Not me. I can't stand watching or reading anything about plagues or pandemics - and my preferred genre is thrillers. It's bad enough living in this reality. I don't want to experience it in fictional version.

So maybe I've answered my own question. After all, writing a novel is a huge investment in time. Between now and November, I envision dividing my time between writing the new book and promoting Trojan Horse, which is debuting on October 16 - with a small break for the High Holy Days. If I can't even stand to watch a two hour movie about a pandemic, do I really want to spend all that time writing about the real one that we're all experiencing? 

What about you? If you're a writer working on a book, are you including anything about Covid? If you're a reader, do you want to read about it? Inquiring minds want to know.

 



3 Comments
Alicia Butcher Ehrhardt link
8/25/2020 11:17:14 am

I have been grateful, more than once, that the WIP is set in 2005/2006, so I don't have to make that decision for quite a while.

My guess is that even if covid-19 becomes endemic, we will achieve, well within the year, a vaccine/treatment combination that will allow up to go back to our wayward ways as humans. It will become 'just one more disease' you can get a vaccine for (some won't), or catch if you're unlucky.

Agents in thrillers have had all their shots - it is inconvenient to their bosses that they not. So a light mention could be enough. Because a virus is free of political attitudes.

I think writers in the present have to find a way to deal with the 45 presidency, probably by shoving it into deep background and assuming most operatives don't operate at the world-leader level.

I assume all the agencies are currently trying to do some version of their jobs, with conflict from the top because different bosses have different opinions about what is 'right.' And there's always graft and corruption and greed.

Again, 45 would get a light mention - and then be background as past (if he fails in November) or as horrid present, but ignored.

Tough one.

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Sandra Manning link
8/25/2020 11:45:37 am

In Trojan Horse, the President actually has a role and interacts with characters. Because I did not like the idea of intertwining a historical President with my fictional characters and situation, I created a fictional president. In most thrillers where the President has an actual role, he's fictional - with a very few exceptions. If you include a real person in your fictional book - and he plays a substantial role - you run the risk of getting facts wrong, of alienating people on either side of the political divide, or an even worse sin for a novelist, taking readers out of the story because they are pondering the historical accuracy or stuck in their own partisanship instead of being engrossed by the story. Nerve Attack is a sequel to Trojan Horse, and as such, the fictional political world continues.

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Matt Cost link
8/25/2020 05:41:26 pm

My current WIP takes place in a fictional town on coast of Maine in July of 2020. I make reference to social distancing and masks but don't belabor the point. I feel that if I point it out early, then the reader can fill in the blanks the rest of the way. Much harder on international travel and all of that. But, yes, I struggled with how to best do it, for sure.

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